Biblio

Most of existing audio fingerprinting systems have limitations to be used for high-specific audio retrieval at scale. In this work, we generate a low-dimensional representation from a short unit segment of audio, and couple this fingerprint with a fast maximum inner-product search. To this end, we present a contrastive learning framework that derives from the segment-level search objective. Each update in training uses a batch consisting of a set of pseudo labels, randomly selected original samples, and their augmented replicas. These replicas can simulate the degrading effects on original audio signals by applying small time offsets and various types of distortions, such as background noise and room/microphone impulse responses. In the segment-level search task, where the conventional audio fingerprinting systems used to fail, our system using 10x smaller storage has shown promising results. Our code and dataset are available at https://mimbres.github.io/neural-audio-fp/.

This paper presents an unsupervised method for systematically identifying anomalies in music datasets. The model integrates categorical regression and robust estimation techniques to infer anomalous scores in music clips. When applied to a music genre recognition dataset, the new method is able to detect corrupted, distorted, or mislabeled audio samples based on commonly used features in music information retrieval. The evaluation results show that the algorithm outperforms other anomaly detection methods and is capable of finding problematic samples identified by human experts. The proposed method introduces a preliminary framework for anomaly detection in music data that can serve as a useful tool to improve data integrity in the future.