Biblio

There is some uncertainty as to the applicability or accuracy of current theories for wave propagation in sediments. Numerical modelling of acoustic data has long been recognized to be a powerful method of understanding of complicated wave propagation and interaction. In this paper, we used the coupled two-dimensional PSM-BEM program to simulate the process of acoustic wave propagation in the seafloor with distributed multi-scale random media. The effects of fluid flow between the pores and the grains with multi-scale distribution were considered. The results show that the coupled PSM-BEM program can be directly applied to both high and low frequency seafloor acoustics. A given porous frame with the pore space saturated with fluid can greatly increase the magnitude of acoustic anisotropy. acoustic wave velocity dispersion and attenuation are significant over a frequency range which spans at least two orders of magnitude.

The coupled thermohydroelastic processes of acoustic wave and heat propagation in weak viscous fluid and elastic bodies form the basis of dissipative acoustics. The problems of dissipative acoustics have many applications in engineering practice, in particular in the development of appropriate medical equipment. This paper presents mathematical models for time and frequency domain problems in terms of unknown displacements and temperatures in both the fluid and the elastic body. Formulated corresponding variational problems and constructed numerical schemes for their solution based on the Galerkin approximations. The method of proving the well-posedness of the considered variational problems is proposed.

The aim of the project SIMOPERA is to simulate and optimize the acoustics in large and complex rooms, with special focus on the Deutsche Oper Berlin as an example of application. Firstly, characteristic subspaces of the opera are considered such as the orchestra pit, the stage and the auditorium. Special attention is paid to the orchestra pit, where high sound pressure levels can occur, leading to noise related risks for the musicians. However, lowering the sound pressure level in the orchestra pit should not violate other objectives as the propagation of sound into the auditorium, the balance between the stage performers and the orchestra across the hall, and the mutual audibility between performers and orchestra members. For that reason, a hybrid simulation method consisting of the wave-based Finite Element Method (FEM) and the Boundary Element Method (BEM) for low frequencies and geometrical methods like the mirror source method and ray tracing for higher frequencies is developed in order to determine the relevant room acoustic quantities such as impulse response functions, reverberation time, clarity, center time etc. Measurements in the opera will continuously accompany the numerical calculations. Finally, selected constructive means for reducing the sound level in the orchestra pit will be analyzed.