Biblio

The Philips audio fingerprint[1] has been used for years, but its robustness against external noise has not been studied accurately. This paper shows the Philips fingerprint is noise resistant, and is capable of recognizing music that is corrupted by noise at a -4 to -7 dB signal to noise ratio. In addition, the drawbacks of the Philips fingerprint are addressed by utilizing a “Power Mask” in conjunction with the Philips fingerprint during the matching process. This Power Mask is a weight matrix given to the fingerprint bits, which allows mismatched bits to be penalized according to their relevance in the fingerprint. The effectiveness of the proposed fingerprint was evaluated by experiments using a database of 1030 songs and 1184 query files that were heavily corrupted by two types of noise at varying levels. Our experiments show the proposed method has significantly improved the noise resistance of the standard Philips fingerprint.

Suppose that you are at a music festival checking on an artist, and you would like to quickly know about the song that is being played (e.g., title, lyrics, album, etc.). If you have a smartphone, you could record a sample of the live performance and compare it against a database of existing recordings from the artist. Services such as Shazam or SoundHound will not work here, as this is not the typical framework for audio fingerprinting or query-by-humming systems, as a live performance is neither identical to its studio version (e.g., variations in instrumentation, key, tempo, etc.) nor it is a hummed or sung melody. We propose an audio fingerprinting system that can deal with live version identification by using image processing techniques. Compact fingerprints are derived using a log-frequency spectrogram and an adaptive thresholding method, and template matching is performed using the Hamming similarity and the Hough Transform.